Thoughts
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19 Feb 2019
Just last week, Faith Ng’s play, Normal, made its curtain calls to optimistic reception. Normal, directed by Claire Wong, discussed...
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11 Jan 2019
The performers use familiar items which can be easily found in most household. You will be surprised at how your babies, who may be unable to focus on an activity at home, are able to follow this 30-minute long play...
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10 Jan 2019
Light light. Fall down.
It is my first time attending theatre with my sister; I am not sure how to prep...
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26 Nov 2018
Understandably, a newly written play can be a challenge to stage. The Old Woman and the Ox got too heavy...
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24 Nov 2018
I am so happy that Charlie has an opportunity to be performed here. Otherwise I would never have known that...
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10 Nov 2018
Nget Rady and Didik Nini Thowok carry within them traditions of the Cambodian male masked dance form (Lakhaon Khaol) and...
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4 Nov 2018
When the curtains opened (figuratively, because there were no curtains), I felt hopeful and excited about Nine Years Theatre’s (NYT)...
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2 Jul 2018
There are many common qualities between last week’s Citizen Dog and this week’s Framed, by Adolf: The static noises used...
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26 Jun 2018
Previously titled The Man In The Coffin, Habits is a play that attempts to explore faith and kinship under the...
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24 Jun 2018
A monologue by Jo Tan herself is really what this play needs I suppose. I haven’t seen the previous iterations...
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18 Jun 2018
Citizen Dog is a dark and twisted fairy tale. Actually, it is just like any other Hans Christian Anderson’s or...
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16 Jun 2018
This play is honestly such a trippy ride. Even a week later, we’re still not sure what to think.
The cast...
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9 Jun 2018
Dragonflies’ plot is a circle of life. The play starts with death, then a series of unfortunate events that takes...
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22 May 2018
How, in just three minutes, does a storyteller convey deep emotion through minimal exposition? Singaporean director Don Aravind, whose work...
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10 May 2018
One senses the social ills, becomes aware of the disadvantaged, understands the vices of materialism and necessity of economic prosperity. As a responsible and active citizen, now is the point to ask yourself...
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22 Apr 2018
在缤纷有趣的外表之下,我发现《四马路》的整体空间结构是凌散的,故事与故事之间似乎没有特定剧情逻辑、时间顺序或空间上的连接。从实践剧场的黑箱剧场开始,穿过巷子,上楼,下楼,又上楼,下楼。我们的行走路线有往前,也有回头,还有交错。